Pintura Identificación:: 11476
The Card Players Los Jugadores de Tarjeta ca 1890-1895
1' 6 3/4'' x 1'10 1/2''(47.5 x 57 cm)Bequest of Count Isaac de Camondo,1911 ca 1890-1895 1 ~ 6 3/4 ~ ~ X 1 ~ 10 1/2 ~ ~ (47,5 X 57 cm) el Legado de Conde Isaac de Camondo, 1911 French Post-Impressionist Painter, 1839-1906
Pintura Identificación:: 27767
The Card Players Los Jugadores de Tarjeta mk62
1890-1892
Oil on canvas
65x81.7cm
New York,The Metropolitan Museum of Art,
Gift of Stephen C.Clark
mk62 1890-1892 Engrasan en la lona 65x81.7cm Nueva York,El Museo Metropolitano del Arte, el Regalo de C.Clark de Stephen French Post-Impressionist Painter, 1839-1906
Pintura Identificación:: 27768
The Card Players Los Jugadores de Tarjeta mk62
1890-1892
Oil on canvas
45x57cm
Paris,Musee d Orsay
mk62 1890-1892 Engrasan en la lona 45x57cm París, Musee D Orsay French Post-Impressionist Painter, 1839-1906
Pintura Identificación:: 27915
The Card Players LosJugadores de Tarjeta mk62
c.1892-5
Oil on canvas
60x73cm
Courtauld Institute Galleries,
London
5 mk62 c.1892- el Petróleo en Galerías de Instituto de lona 60x73cm Courtauld, Londres French Post-Impressionist Painter, 1839-1906
(1605 - January 1638) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century.
At a young age Brouwer, probably born as Adriaen de Brauwer in Oudenaarde, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631-1632, as well as the rhetoricians's chamber De Violieren.
Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life.
He died at the early age of 32 in Antwerp, where he was first buried in a common grave.
Pintura Identificación:: 72143
The Card Players oil on wood
25 X 39 cm (9.84 X 15.35 in)
(1605 - January 1638) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century.
At a young age Brouwer, probably born as Adriaen de Brauwer in Oudenaarde, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631-1632, as well as the rhetoricians's chamber De Violieren.
Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life.
He died at the early age of 32 in Antwerp, where he was first buried in a common grave.
